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Open Call

Photobook, Self-publishing, Dummy and more

Open Call

A photobook is more than a medium. It is a way of thinking, a structure of storytelling, a constructed world. Share yours with us at VAiF26.

Photobook Open Call

Until Monday 30.06.25 / 23.59

The Visual Arts International Festival – VAiF26 invites photographers, artists, and publishers worldwide to submit their photobooks for the Photobook Exhibition 2026, presented as part of VAiF26.

The exhibition seeks to showcase the creativity, critical depth, and diversity of the photobook as a powerful medium of artistic expression.

What We Are Looking For

Υou may submit:

  • Self-published photobooks

  • Books published in collaboration with a publishing house

  • Zines or dummy photobooks (fully developed proposals, even if not officially published)

There is no thematic restriction. However, we strongly value projects with a clear visual identity, coherent narrative structure, and a contemporary photographic language.

How to Apply

Submissions must be completed through the online application form on our website.

You will be asked to upload:

  • A PDF file of the book (full version or complete layout/spreads)

  • A short flip-through video of the book (up to 2 minutes, provided as a YouTube, Vimeo, WeTransfer, SwissTransfer link, etc.)
    If you submit a time-limited transfer link, it must remain active for at least 15 days after submission.

  • One or more photographs of the physical object (cover, spreads, details, etc.)

Supporting Information

  • Book title

  • Project description, up to 150 words

  • Technical specifications, dimensions, number of pages, printing method

  • Artist details, name, email, country of residence

A physical copy is not mandatory at this stage. However, selected participants will be required to send one physical copy of the book for the exhibition.

Submission Deadline

Final deadline: Tuesday, March 31, 2026 at 23:59 (GMT)

Submissions are free of charge.

No applications will be accepted after 23:59 on Tuesday, March 31.

Selection & Exhibition

  • The jury committee will select photobooks to be presented in the group exhibition as part of VAiF26, taking place in November 2026 in Thessaloniki, Greece.

    Selected artists will be notified via email and will be invited to send one physical copy of their book for exhibition purposes.

    The selected books will become part of the VAiF Library and may be presented in future festival activities, without commercial exploitation and always with prior notification to the artist.

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

Jury Panel

Until 31.03.26 / 23.59 (GMT)

Curator and Graphic Design Lead at VAiF

Elena Karathanasi

Eleni Karathanasi is a museologist, graphic designer, and photographer. She holds a degree in Cultural Technology and Communication from the University of the Aegean, specializing in Museology, and diplomas in Photography and Graphic Design for Print and Digital Media from the ESP+ Creative School of Photography and Graphic Design.

Her professional activity spans the curation and supervision of exhibitions of various scales—small, medium, and large—as well as graphic design. Since 2022, she has been a member of the team at the Teloglion Foundation of Art, Aristotle University of Thessaloniki. In parallel, she works as an independent exhibition curator, having curated exhibitions such as Vasso Chatzimanoli’s etching exhibition (2024)Kafeneia by Theofilos Stoupiadis, Dusk by Doriyan Todorov, and Designing for Change: Earth (Open Call Exhibition) as part of VAiF24.

As a graphic designer, she specializes in print design, having worked on the design of photographic books and exhibition catalogues, and she is responsible for the visual identity of VAiF. She also works as a freelance photographer, focusing on studio photography and documentary work. Her photographic practice includes landscape photography, portraiture, and the documentation of phenomena such as pollution, abandonment, and archival material.

 

Since 2022, she has been a member of the esp+ creative studio.

Academic Scholar, Art Critic, and Curator

Alexandra Moschovi

Prof. Alexandra Moschovi is an academic scholar, art critic, and curator seeking to situate photographic practices within broader art historical, museological, and visual culture debates. With interdisciplinary studies in photography and media and a Ph.D. in art history, Moschovi has published widely on modern/contemporary photography and the interface of photography, digital technologies, the museum, and the archive. She co-authored the volume Greece through Photographs (with Aliki Tsirgialou and Spyros Asdrahas, Melissa Publishing House, 2007/09), co-edited the anthology The Versatile Image: Photography, Digital Technologies and the Internet (with Arabella Plouviez and Carol McKay, Leuven University Press, 2013), and authored the monograph A Gust of Photo-Philia: Photography in the Art Museum (Leuven University Press, 2020). Recent curatorial projects include: Portrayals of History: Voula Papaioannou-Dimitris Harissiadis 1940-1960, Works from the Benaki Museum Photographic Archives (with Manolis Skoufias, MOMus Thessaloniki Museum of Photography, Greece, 2017); Poetics, Materialities, Performances: Greek Photographic Books 2000-2023 (MOMus Museum of Contemporary Art, 2023); and HerStories: Photographic Practices, 1974-2024 (with Iro Katsaridou, Areti Leopoulou, and Penelopi Petsini, MOMus Thessaloniki Museum of Photography and the Experimental Center for the Arts, 2024). Moschovi is Professor of Photography and Curating at the Faculty of Education, Society and Creative Industries, University of Sunderland, UK, and Principal Investigator of the international research network Museum Dialogues.

Art Historian and Curator

Alexander Supartono

Alexander Supartono is an art historian and curator specialising in modern and contemporary art in Southeast Asia and associate professor at Edinburgh Napier University. He obtained a PhD in History of Photography from the University of St. Andrews, Scotland. He is one of the first-generation members of Indonesian Collective of Art Workers TARING PADI. Presently he is one of principal investigators at Photography Unbound, a Getty Research Institute’s project that explores computational methods to analyse large collections of 19th century photographs and the application of computer vision to art historical questions. His lates publications include “Agitate, Educate, Organise: Caring for each other’s stories on the wake of ‘Documenta 15’” (Massachusetts Review, 2026),  “Othering Studio Portraiture in Colonial Southeast Asia” (Inventory Press, 2025), and L’attente silencieuse”: Antiquités javanaises et photographie au xixe siècle dans les Indes orientales néerlandaises” (Photographica, 2024).

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

SUBMIT NOW – until 31.03.2026

Submission Form

Until 31.03.26 / 23.59 (GMT)


Terms and Conditions

Until 31.03.26 / 23.59 (GMT)

Terms & Conditions

Eligibility & Originality

All submitted works must be original creations of the participants and must not infringe upon any third-party copyrights or intellectual property rights.

The use of images, design elements, or texts without explicit permission is strictly prohibited. In cases of plagiarism, copyright infringement, or unauthorized use of material, the organizers bear no responsibility. Full legal responsibility remains with the participant.

The Open Call is addressed to photographers, artists, publishers, and photobook creators worldwide, regardless of nationality, professional status, or experience, aged 18 and over.

Participants may submit multiple entries, one per photobook. Each submission must be completed through a separate application form and include a complete submission file.

There is no thematic restriction. However, projects with a clear narrative identity, strong conceptual direction, and contemporary photographic approach are particularly valued.

Submission

The final submission deadline is Tuesday, March 31, 2026 at 23:59 (GMT).

Submissions must be completed exclusively through the online application form available on this festival’s website page.

Multiple submissions are allowed. Each photobook requires a separate completed form and full submission package.

Late applications will not be accepted under any circumstances.

Participation in the Open Call is free of charge.

Selection & Exhibition

The jury committee will select photobooks to be presented in a dedicated exhibition space as part of VAiF26, taking place in November 2026 in Thessaloniki, Greece.

Selected participants will be notified via email and will be required to send one physical copy of each selected book for exhibition purposes.

After the exhibition, submitted physical copies will become part of the VAiF Photobook Collection and will not be returned.

The books may be presented in future non-commercial exhibitions, libraries, or festival-related activities, always accompanied by the creator’s name and relevant descriptive text where provided.

Usage Rights

Participants grant the organizers the non-exclusive right to use visual material of the submitted works for promotion, documentation, press communication, archiving, and educational purposes, always with clear credit to the creator.

Commercial exploitation of the works is strictly excluded.

All intellectual property rights remain with the creators.

Legal & Ethical Provisions

Participation in the Open Call implies full and unconditional acceptance of all the above terms.

Non-compliance with the terms, including submission of non-original work, false information, or unauthorized use of copyrighted material, constitutes grounds for disqualification.

The organizers bear no responsibility for violations of copyright, intellectual property, or personal data of third parties. Full responsibility lies with the participant.

The decision of the jury committee is final and not subject to appeal or dispute.

Works containing racist, discriminatory, offensive content, or material that violates human dignity will not be accepted.

The organizers reserve the right to modify dates, venue, or exhibition format if required due to unforeseen circumstances.

Personal Data & Communication

By participating, applicants agree to receive email communication regarding this Open Call and related festival activities.

Participants may request removal from the mailing list at any time after the conclusion of the Open Call process.